Geometrics in the illumination of Terengganu Quran manuscript (L.M.N.T 2002.1)

Geometri dalam iluminasi mashaf al-Quran Terengganu (L.M.N.T 2002.1)

Authors

DOI:

https://doi.org/10.53840/alirsyad.v8i2.372

Keywords:

Formalistic Visual Analysis, Basic Geometric, Illumination, Quran Manuscript, Kuala Terengganu

Abstract

This article aims to identify the basic geometric structures found in the illumination of the Terengganu Quran Manuscript (L.M.N.T 2002.1) collection. The study focuses on the appreciation of art, employing a formalistic approach to visually examine the evident basic geometric structures present in the illumination of the Quran Manuscript (L.M.N.T 2002.1). The research methodology involved observing the illumination of the Quran Manuscript (L.M.N.T 2002.1) and analysing the basic geometric structures based on formalistic aspects such as elements of art and principles of design through formalistic visual analysis using Adobe Illustrator software. In general, the illumination image displays the shape of a rosette or medallion. This character is also viewed from the perspective of cosmology, whereby it is a resemblance of a glowing star and the shining sun. This is appropriate with the concept of lighting or Shamsa. The findings of this research indicated some views on basic geometry in the illumination of the Quran Manuscript (L.M.N.T 2002.1) as an introduction to new knowledge in the field of art in general.

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Author Biographies

Mazni Omar, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

A senior lecturer in Liberal Art Studies at the College of Creative Arts, UiTM Kelantan. She is pursuing her PhD studies at the Faculty of Innovative Design and Technology, Universiti Sultan Zainal Abidin, Gong Badak Campus, Kuala Nerus, Terengganu. Her research primarily focuses on the illumination of manuscripts, particularly in the context of the Quran and Dalail al-Khayrat. With a Master of Arts in Art History and Cultural Management from Universiti Teknologi MARA Shah Alam. Mazni Omar has developed expertise in various fields, including Art History, Islamic Art, Fine Arts, Visual Arts, and Cultural Studies. She has extensive academic experience, having presented research papers at international conferences and contributed valuable articles to reputable academic journals. Her writing reflects her profound interest in studying art's illumination on manuscripts and their intricate geometry.

Marzuki Ibrahim, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

A Professor of Industrial Design at the Faculty of Innovation Design and Technology (FRIT), Universiti Sultan Zainal Abidin (UniSZA) Malaysia. He is a Professional Technologist (Ts.) of the Malaysia Board of Technologists (MBOT). Since 2000, he has been a Fellow of the Royal Society for the Encouragement of Arts, Manufacturers and Commerce (RSA) in the United Kingdom and a Senior Assessor for the Malaysian Qualifications Agency (MQA). He holds a Bachelor's Degree in Industrial Design from Universiti Teknologi MARA Malaysia (UiTM) and a Master's in Industrial Design Engineering from De Montfort University, Leicester, UK. He began his academic career with UiTM in 1990. A few years later, he pursued his Doctorate in Design Management at the University of Northumbria in Newcastle, UK. In the academic field, his writings have appeared in many exhibition catalogues, journals, and newspapers. He has delivered numerous research papers nationally and internationally and has been invited as an academic reviewer, speaker, moderator, juror, external examiner, and guest lecturer. His expertise is in design management, product development, identity, and creativity. He is also the main supervisor for Master's and Ph.D. students in industrial design.

Imran Abdullah, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

A Senior Lecturer of Industrial Design at the Faculty of Innovative Design and Technology (FRIT), Universiti Sultan Zainal Abidin (UniSZA) Malaysia. He is a Professional Member of the Malaysia Design Council. He holds a Diploma in Education from Universiti Pendidikan Sultan Idris Malaysia (UPSI), a Bachelor of Art in Industrial Design from Universiti Teknologi MARA Malaysia (UiTM), a Master of Art in Industrial Design from UiTM, and a Doctor of Philosophy in Design Technology from Universiti Malaysia Sarawak (UNIMAS). He is responsible for all diploma and bachelor students, especially in the project courses of furniture design, transport design, and product design. He is also the main supervisor for his Master's and PhD students in design management, product design, and transport design. Some of his graduate students have completed their studies on time. He wrote and published academic books and journals, including presenting research papers with intellectual property solutions at the national and international levels. He is appointed as a graduate thesis examiner internally and externally. He is also a committee member, an education expert, and an advisor for the industrial design programme.

Razi Yaakub, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

A senior lecturer at the Faculty of General Studies and Continuing Education (FUPL), the Core Studies Centre (PPT), UniSZA. He has been involved in the field of education for 14 years. He completed his Bachelor's degree at Punjab University, Lahore, Pakistan, in the field of Islamic Studies and his Master's degree at the University of Malaya in History and Civilisation, with a focus on religious figures in Terengganu. He furthered his education with a PhD at UniSZA, specialising in Waqf Land, titled "Challenges and Solutions to Waqf Land Issues in Georgetown, Penang." His second area of expertise is Islamic Arts and Crafts. The Terengganu state government provided funding for him to conduct numerous public and private studies in 2011–2012 that focused on the floral motif in Terengganu state. He is also skilled in wood carving, especially in decorative calligraphy and floral patterns. With this expertise, he has presented papers at national and international seminars. He has conducted extensive research on Quranic manuscripts in Southeast Asia.

Hartini Mohd Razali, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

She holds the position of Senior Lecturer in Liberal Art Studies at the College of Creative Arts, UiTM Kelantan. She is actively engaged in her doctoral studies at the Faculty of Innovative Design and Technology, Universiti Sultan Zainal Abidin, Gong Badak Campus, Kuala Nerus, Terengganu. Her research endeavours are primarily centred around the domain of Batik textiles. She holds a Master of Arts in Art History and Cultural Management from Universiti Teknologi MARA Shah Alam. She has art history, Batik textiles, Visual Arts, and Cultural studies expertise. Her profound commitment to scholarly pursuits is evident through her substantial contributions to the academic community. Hartini has presented research papers at international conferences and contributed articles to reputable academic journals centred around her deep interest in Batik textiles.

Siti Fairuz Md Hashim, Universiti Teknologi MARA, Machang Campus, Kelantan, MALAYSIA

A Senior Graphic Design and Digital Media Lecturer at the College of Creative Arts, UiTM Kelantan. She is actively pursuing her doctoral studies at the College of Creative Arts, UiTM Shah Alam. Her research efforts are focused on graphic design, especially in logo design. She holds a Master of Visual Communication and New Media from Universiti Teknologi MARA Shah Alam. She has expertise in Graphic Design, Logo Design, Corporate Identity, Visual Communication, Typography Design, Art History, Visual Arts, and Cultural Studies. His significant contributions to the academic community show her deep commitment to scholarly endeavours. Siti Fairuz's passion for logo design is reflected in her presentations of research papers at international conferences and her contributions of articles to esteemed academic journals.

Mohd Zamani Daud, Universiti Sultan Zainal Abidin (UNISZA), MALAYSIA

He obtained a Bachelor of Art Design With Honours (Fine Metal) from Universiti Teknologi MARA. He holds an MA in Art and Design (Design Technology) from Universiti Teknologi MARA. Has a professional gemology certificate, Gem Identification from the Asian Institute of Gemological Sciences (AIGS), Bangkok, Thailand. He is a Senior Lecturer at the College of Creative Arts, Universiti Teknologi MARA Kelantan Branch. He started his career as a lecturer at the UiTM Kelantan Branch in 2001. His research interests include metalsmithing and manufacturing, jewellery design and manufacturing, and gemstones. Produce art, metal craft, and gemstone articles for national and international seminars, journals, and conferences in Thailand, Indonesia, Brunei and Turkey.

Ribangun Bamban Jakaria, Universitas Muhammadiyah Sidoarjo, INDONESIA

He earned his Bachelor's in Industrial Engineering from Muhammadiyah University of Sidoarjo in 2003. He pursued his Master's degree in Management from the Postgraduate Program of the National Development University 'Veteran' East Java, graduating in 2010. He is pursuing a doctoral program at the Faculty of Design, Innovation, and Technology at Sultan Zainal Abidin University (UNISZA) in Kuala Terengganu, Malaysia. His teaching career began in 2013 in the Industrial Engineering Program at the Faculty of Science and Technology, Muhammadiyah University of Sidoarjo. Additionally, the author is involved in research and community service projects funded by Ristekdikti, internal grants, and self-funded initiatives related to Product Design, Technological Innovation, Information Systems, and Distribution. Furthermore, his scholarly publications have appeared in various accredited and non-accredited national and international journals and proceedings. He has also authored textbooks, including "Organisasi Manajemen Industri" (2019), "Psikologi Industri" (2020), and "Perencanaan dan Perancangan Produk" (2021).

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Published

2023-12-29

How to Cite

Omar, M., Ibrahim, M., Abdullah, I., Yaakub, R., Mohd Razali, H., Md Hashim, S. F., … Jakaria, R. B. (2023). Geometrics in the illumination of Terengganu Quran manuscript (L.M.N.T 2002.1): Geometri dalam iluminasi mashaf al-Quran Terengganu (L.M.N.T 2002.1). Al-Irsyad: Journal of Islamic and Contemporary Issues, 8(2), 1107–1118. https://doi.org/10.53840/alirsyad.v8i2.372

Issue

Vol. 8 No. 2 (2023): al-Irsyad: Journal of Islamic and Contemporary Issues

Section

English

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Copyright (c) 2023 Mazni Omar, Marzuki Ibrahim, Imran Abdullah, Razi Yaakub, Hartini Mohd Razali, Siti Fairuz Md Hashim, Mohd Zamani Daud, Ribangun Bamban Jakaria

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